Summer Serenade: 1958
With our guests, the Colchester Band, we celebrate two contrasting but equally significant musical 50th anniversaries - the death of that grand old man of English music,
Ralph Vaughan Williams, and in the same year the formation of that unique phenomenon
of the pop music scene in England,
The Beatles.
Moot Hall, Colchester Town Hall
Saturday 21st June 2008
7.30pm
Tickets £12 (concessions £10 under 18s and seniors)
From Manns Music, Colchester
Choir members · or call 01206 823199
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Future
Concerts:
Saturday 21st June 2008, 7.30pm
Moot Hall, Colchester Town Hall
A celebration of two 50th anniversaries - Ralph Vaughn-Williams and The Beatles...
Previous
Concerts:
Beethoven -
Missa Solemnis
Saturday November 25th 2006 7.30pm
Review by Jackie Wallace for the Essex County Standard.
This immensely powerful
mass setting by Beethoven,
with its full-on emotional
intensity and complex scoring, is not a task for the
faint-hearted, and Colchester Choral Society and Sinfonia together with four first
rate soloists, set their sights
high to achieve a totally convincing performance under
the inspiring direction of lan
Ray.
From the confidently-stated
opening bars of the Kyrie, an
impressive level of energy and
enthusiasm was maintained
throughout with sustained
pleas from the chorus overlaid
by urgent solo interjections for
mercy.
The magnificent pace and
momentum of the Gloria produced a whirlwind of excited
praise, interspersed with
pockets of lyrical relief from
the soloists, and culminating
in a well-controlled fugue with
nicely punched-out entries
from the choir.
An equally overwhelming
degree of impassioned sincerity infused the Credo. A
notably fervent Et Incamatus,
and a most poignant Crucifixus featured wonderful contributions from the soloists and the choir dealt admirably with the fiendishly difficult fugal setting of Et Vitam Venturi.
These unrelenting affirmations of faith then yielded to a
moving Sanctus and a truly
sublime Benedictus.
The soloists. Sally Silver,
Elizabeth Sikora, Justin
Lavender and Keel Watson
worked beautifully as a finely
blended and balanced quartet
to create a truly reverential
atmosphere, which was
enhanced by an exquisitely
expressive violin solo from
Jessie Ridley, and an extremely sensitive orchestral accompaniment.
Keel Watson's sombre supplication for mercy opened the
Agnus Dei and was taken up
by his fellow soloists. The
choir then successfully transformed the mood to one of joyful expectation, and brought
the work to a hopeful conclusion.
The long-lasting applause from a capacity audience said it all - a stirring performance.
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